In the Middle: Be Careful on the Runway: ON STYLE: AN ATELIER.
To build on the experience of Cultural Studies by applying the expertise gained so far to the study of the prose works of two 20th Century French writers, Raymond Queneau and Boris Vian. Content: An introduction to the work of Raymond Queneau and Boris Vian through a detailed examination of a number of individual works by each author.
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In Chapter 4 the process poetry of The Orators leads to the identification of a hybrid form, the poem-as-essay (or essay-as-poem), analysed through the work of Canadian poet Anne Carson, whose prose poetry simultaneously complements and subverts her research as a classicist. Chapter 5 concerns the English poet John Ash, in particular his.
Www.lienquantrians10.com Books. Roy Hay Kenneth A Beckett S Lection Du Readers Digest Encyclop Die Des Fleurs Et.pdf.
The course embedded significant training in digital competencies and information literacy skills within a seminar on digital memory and archival theory. We examined issues related to the ethics of appraisal, privacy, digital obsolescence, underrepresented communities, media studies, and collective memory. A series of hands-on lab sessions gave.
Marko Juvan Literary Studies in Reconstruction: An Introduction to Literature 2011 Contents Preface Part I: WRITING LITERARY THEORY AND HISTORY TODAY 1 Towards a Theory of Literary Discourse 2 Literary History between Narrative and Hypertext 3 World Literature(s) and Peripheries Part II: RECONSTRUCTING THE CONCEPTS OF CRITICISM 4 Postmodern Textology and Electronic Media 5 The Structure of.
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This dissertation positions the International Concrete Poetry movement within its historical moment and links it to the emergence of a new global imaginary around the middle of the 20th century. It makes the argument that contemporaneous social and technological shifts directly influenced the compositional strategies of a group of poets who aimed to transform poetry’s communicative power in.
The bold essays that make up Reading the Difficulties offer case studies in and strategies for reading innovative poetry. Definitions of what constitutes innovative poetry are innumerable and are offered from every quarter. Some critics and poets argue that innovative poetry concerns free association (John Ashbery), others that experimental poetry is a “re-staging” of language (Bruce.
